Director Craig Gillespie won my heart with I, Tonya, his scathing 2017 film about the quintessentially American life of skater Tonya Harding. In demonstrating how to redeem the degraded biopic genre, I, Tonya was so brilliant, I even forgave Gillespie for his subsequent film, the bloated Disney reboot Cruella (2021). He quickly rebounded, directing the […]